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I look at a lot of design agencies’ websites and see variations on the same positioning statements repeated business-after-business:

  • We are an agency with creativity at our heart
  • We work for purpose led brands
  • We work for large multinationals and small starts-ups alike
  • We work with brave clients
  • Our culture sets us apart

Up to the Light’s latest ‘What Clients Think’ report, published in association with the DBA this Spring found that 61% of clients admit to finding it difficult to establish what an agency is best at when looking at their website. When tens of thousands of design businesses take a broad-stroke approach, the problem is that too many agencies look and sound alike.

While these statements might be attempts to keep the new business funnel as wide as possible, in essence what you are saying is that every company is a potential client – and the flip side is that homogeneity works the other way too, creating a sea of sameness in which you are just another design business. When all agencies look and sound alike it creates a problem for some clients: in their eyes there are then only two differentiating factors to choose on:

  • price – who is the cheapest?
  • and a response to a brief – which creative do we like the best?

Clients will often ask for a free pitch because they cannot tell agencies apart. So how can you avoid being asked in the first place, or effectively rebut the request if you are?

Blair Enns, author of the Win Without Pitching Manifesto, uses the phrase “meaningfully different” to describe how an agency has to appear. Agencies need to differentiate themselves and stand out, because if a client views a group of agencies as indistinguishable, they will have to create a scenario to distinguish them – a creative competition.

What is it about your business that makes you different from the tens of thousands of other design businesses in the UK?

Is it creativity? No – all agencies will say they are creative (although there will always be an elite few who can own this positioning because of their work).

Is it your culture? No – all design businesses will also say they have a great culture (again there will be a select few who are known for having a great culture, but only because theirs is marked apart).

Is it the wide array of client logos on your website? No – unless you can illustrate how your work impacted those businesses in the way the client was aiming. Just having logos on your site is meaningless unless you can back them up with case studies focusing on results.

A good place to start with developing your positioning statement is to look at your parameters:

Who won’t you work with? Cut out all the sectors that are not relevant to you.

What size budgets will you /won’t you work for? Is the cut off £10,000 or £50,000? The structure of your business will dictate what your minimum engagement should be. Simply saying “we usually work on projects with design fees between x and y” will save you a lot of time and wasted effort with businesses who should be fishing in other pools.

Design agencies have a hard time tightening up their own positioning. “You can’t read the label from the inside of the jar,” as David C. Baker says, so having an external perspective is crucial, but essentially you need to do to your business what you do for your clients. Be creative and use your expertise to differentiate your business. Don’t become the cobbler with the barefoot children, as the saying goes. Visit the DBA Experts Register for support from experts who can help you “read the label.”

When clients find it difficult to differentiate agencies, this can be particularly frustrating when they look at a website and cannot easily understand what it is the agency does. 70% of clients prefer a statement on the home page that sums up what the agency is all about, while 56% of clients believe that agency websites lack clarity around the agency’s positioning and offer.

You could consider how to develop a unique positioning statement by starting with the following: “We do X (description of what type of work you do) for Y (descriptor of type of client) in order for them to do Z (the outcomes of your work, the problems you solve).”

Once you have filled in the blanks, see how many other agencies it could be attributed to. How can you be meaningfully different? What is the type of work or client that you feel you deserve to win? What is your sweet spot? This is what needs to be defined. 

You usually don’t want to be totally unique – you need some competition to prove that there is a demand for what you are selling. But a handful of competitors is better than several thousand.

Narrowing your focus in how you talk about the business doesn’t necessarily mean you can’t do work outside of that focus – you can! Just don’t let it distract you from describing the type of work or clients you deserve. The work you are best placed to do. The work you can charge a premium for. Describe that and you’ll find the clients who need it. Once they recognise their problems in your solutions, they’ll know you are the agency for them, doing away with the perceived need to run a free pitch.

DBA members regularly and successfully change clients’ understanding of why free pitching won’t deliver the best results and they win their business without taking part in pitches that require unpaid creative work, against agencies that do. It’s how they work. And it gets results. Access our guides and resources to support your response to free pitching requests and help you open up conversations and doors with clients. Access the DBA’s Free Pitching Guides >

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Main Content

  • Getting your business to the stage of maturity when you can confidently decline requests for free creative work isn’t a quick fix – but there were plenty of valuable tips shared.
  • These included developing your own client engagement policies, having a clear perspective on the issue to help to educate clients, collating evidence to prove your worth (the DBA Design Effectiveness Awards can help you to build solid case studies) and establishing core values that act as guiding principles. 
  • Having a policy in place that pushes back on free pitches shows the creative team internally how valued they are – it reinforces the culture you’re trying to foster and underlines that you’re operating as a professional consultancy.
  • Asking yourselves internally ‘When are we at our best’ can support you as a team to build your own relationship agreement from the outset. Include this in your credentials/capabilities deck. 
  • Building strong, authentic relationships can help you bypass the pitch all together – the latest ‘What Clients Think’ Report can support with this. 
  • There are trade offs: RFP’s still take time to compile. But if you’re not giving away creative work or ideas, you’re more likely to attract better-aligned clients.
  • Clients might request free work if they aren’t seeing much differentiation between agencies – specialist firms tend not to have the free pitching problem. 
  • Blair Enns’ Win Without Pitching is a great source of advice on this topic, and the 2 Bobs podcast comes highly recommended. 
  • One member talked us through how they turned around a request for free creative with a meeting to understand the clients exact deliverables, which they answered with a proposal of the amount of time that would take to deliver and the associated costs. 
  • Our very own Adam Fennelow, Membership Director at the DBA shared a clear illustration of why giving away free creative doesn’t make financial sense. Download the slides for the hard data behind the case.
  • One important note is the amount of fee revenue vs your total income – large clients won’t want to make up more than 15-20% of your income, any more makes it risky for all involved – perhaps a question for the very beginning of the process.
  • The DBA’s guides on this topic are all easy to find in the resources section of our website. From specific advice for agencies, information you can share with your clients and an example response to requests – we’re here to support you get paid for all the work you do. 

We are working with Design Week to amplify our message on free pitching far and wide to support the industry to push back against this practice with practical advice and guidance. 

 

You can read Design Week’s write-up here.

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